AMACO

All colors in the Potter's Choice series are LEAD FREE.
CL glazes restricted from use K-6 (ASTM D-4236/LHAMA)

13 NEW COLORS!!!
2 NEW CLASS PACKS!!!
NEW SAMPLER PACK!!!

Cone 5-6. A collection of potters' favorite glazes made easy. These glazes are fired in an oxidation kiln. They are made for anyone who would like to achieve the Cone 10 reduction effects without having to have a reduction gas kiln or firing at that high temperature. The PC Series glazes look beautiful and authentic. They work well over any of the AMACO® stoneware or porcelain clays.


New Sampler Pack - Two 2 oz. jars of the 12 new AP colors: Blue Midnight, Indigo Float, Tourmaline, Frosted Turquoise, Deep Olive Speckle, Iron Lustre, Light Sepia, Smoked Sienna, Umber Float, Toasted Sage, Deep Sienna Speckle, Deep Firebrick

New Class Pack #3 - One pint jar each of these six new AP colors: Blue Midnight, Tourmaline, Deep Olive Speckle, Light Sepia, Smoked Sienna, Seep Sienna Speckle

New Class Pack #4 - One pint jar each of these six new AP colors: Indigo Float, Frosted Turquoise, Iron Lustre, Umber Float, Toasted Sage, Deep Firebrick


Special application instructions:
PC-20: Blue Rutile needs to be applied heavy. Apply at least four coats. It will flow just a little and create beautiful effects.

PC-50: Shino needs to be applied irregularly. Apply two irregular coats. Once you have used it awhile you will see the effects you can get by varying the application.

PC-60: Salt Buff has to be applied on the thin side. No more than two irregular coats are needed to get the random effect of salt glazing.

All colors in the Potter's Choice series are LEAD FREE.
CL glazes restricted from use K-6 (ASTM D-4236/LHAMA)

13 NEW COLORS!!!
2 NEW CLASS PACKS!!!
NEW SAMPLER PACK!!!

Cone 5-6. A collection of potters' favorite glazes made easy. These glazes are fired in an oxidation kiln. They are made for anyone who would like to achieve the Cone 10 reduction effects without having to have a reduction gas kiln or firing at that high temperature. The PC Series glazes look beautiful and authentic. They work well over any of the AMACO® stoneware or porcelain clays.


New Sampler Pack - Two 2 oz. jars of the 12 new AP colors: Blue Midnight, Indigo Float, Tourmaline, Frosted Turquoise, Deep Olive Speckle, Iron Lustre, Light Sepia, Smoked Sienna, Umber Float, Toasted Sage, Deep Sienna Speckle, Deep Firebrick

New Class Pack #3 - One pint jar each of these six new AP colors: Blue Midnight, Tourmaline, Deep Olive Speckle, Light Sepia, Smoked Sienna, Seep Sienna Speckle

New Class Pack #4 - One pint jar each of these six new AP colors: Indigo Float, Frosted Turquoise, Iron Lustre, Umber Float, Toasted Sage, Deep Firebrick


Special application instructions:
PC-20: Blue Rutile needs to be applied heavy. Apply at least four coats. It will flow just a little and create beautiful effects.

PC-50: Shino needs to be applied irregularly. Apply two irregular coats. Once you have used it awhile you will see the effects you can get by varying the application.

PC-60: Salt Buff has to be applied on the thin side. No more than two irregular coats are needed to get the random effect of salt glazing.

All colors in the Potter's Choice series are LEAD FREE.
CL glazes restricted from use K-6 (ASTM D-4236/LHAMA)

13 NEW COLORS!!!
2 NEW CLASS PACKS!!!
NEW SAMPLER PACK!!!

Cone 5-6. A collection of potters' favorite glazes made easy. These glazes are fired in an oxidation kiln. They are made for anyone who would like to achieve the Cone 10 reduction effects without having to have a reduction gas kiln or firing at that high temperature. The PC Series glazes look beautiful and authentic. They work well over any of the AMACO® stoneware or porcelain clays.


New Sampler Pack - Two 2 oz. jars of the 12 new AP colors: Blue Midnight, Indigo Float, Tourmaline, Frosted Turquoise, Deep Olive Speckle, Iron Lustre, Light Sepia, Smoked Sienna, Umber Float, Toasted Sage, Deep Sienna Speckle, Deep Firebrick

New Class Pack #3 - One pint jar each of these six new AP colors: Blue Midnight, Tourmaline, Deep Olive Speckle, Light Sepia, Smoked Sienna, Seep Sienna Speckle

New Class Pack #4 - One pint jar each of these six new AP colors: Indigo Float, Frosted Turquoise, Iron Lustre, Umber Float, Toasted Sage, Deep Firebrick


Special application instructions:
PC-20: Blue Rutile needs to be applied heavy. Apply at least four coats. It will flow just a little and create beautiful effects.

PC-50: Shino needs to be applied irregularly. Apply two irregular coats. Once you have used it awhile you will see the effects you can get by varying the application.

PC-60: Salt Buff has to be applied on the thin side. No more than two irregular coats are needed to get the random effect of salt glazing.

All colors in the Potter's Choice series are LEAD FREE.
CL glazes restricted from use K-6 (ASTM D-4236/LHAMA)

13 NEW COLORS!!!
2 NEW CLASS PACKS!!!
NEW SAMPLER PACK!!!

Cone 5-6. A collection of potters' favorite glazes made easy. These glazes are fired in an oxidation kiln. They are made for anyone who would like to achieve the Cone 10 reduction effects without having to have a reduction gas kiln or firing at that high temperature. The PC Series glazes look beautiful and authentic. They work well over any of the AMACO® stoneware or porcelain clays.


New Sampler Pack - Two 2 oz. jars of the 12 new AP colors: Blue Midnight, Indigo Float, Tourmaline, Frosted Turquoise, Deep Olive Speckle, Iron Lustre, Light Sepia, Smoked Sienna, Umber Float, Toasted Sage, Deep Sienna Speckle, Deep Firebrick

New Class Pack #3 - One pint jar each of these six new AP colors: Blue Midnight, Tourmaline, Deep Olive Speckle, Light Sepia, Smoked Sienna, Seep Sienna Speckle

New Class Pack #4 - One pint jar each of these six new AP colors: Indigo Float, Frosted Turquoise, Iron Lustre, Umber Float, Toasted Sage, Deep Firebrick


Special application instructions:
PC-20: Blue Rutile needs to be applied heavy. Apply at least four coats. It will flow just a little and create beautiful effects.

PC-50: Shino needs to be applied irregularly. Apply two irregular coats. Once you have used it awhile you will see the effects you can get by varying the application.

PC-60: Salt Buff has to be applied on the thin side. No more than two irregular coats are needed to get the random effect of salt glazing.

All colors in the Raku series are LEAD FREE.
CL glazes restricted from use K-6 (ASTM D-4236/LHAMA)

Above: Raku vase by George Debikey, Indianapolis, IN.


Cone 05.These glazes will produce a very dramatic effect when reduced after the RAKU firing. Remember that these glazes need to be fired to their recommmended temperature of Cone 05 (1911°F, 1044°C). Once they reach temperature, turn off the kiln; let it cool to about 1700°F, 944°C before you pull the pieces out of the kiln with the tongs. You must protect yourself from the heat when you open the kiln at that high of a temperature. Therefore, wear heat and fireproof protective clothing, use high temperature gloves, and an appropriate respirator to protect from smoke. If you are using an electric kiln, never pull material out of the kiln unless the kiln is turned off.

RAKU is a very unpredictable medium and is affected by many variables. The effects achieved with these or any other RAKU glazes may not always be the same. Even after you have done RAKU for a long time you will see that it is almost impossible to have complete control over the result or a consistent glaze effect even if you are using the glaze from the same jar. However this is a spontaneous technique and all the varied effects are usually acceptable. Tong marks and other marks from reduction material is considered a characteristic of RAKU, not a defect.

Warning: Firing RAKU is an action filled procedure. Two or more persons are needed to unload and reduce the Raku piece. Whether you are firing in a gas or electric kiln you are being exposed to heat, fire, and smoke. You must be aware of this environment at all times, be prepared for it and act accordingly. You must wear heat and fire protective clothing, fire proof gloves and a mask appropriate for smoke. A NIOSH approved mask like 3M's 3600 or a comparable quality mask is recommended. Make sure you cannot smell any smoke when you have the mask on.

Never open an electric kiln when the switches are in the on position. All switches must be off before you load or unload the kiln. Always use tongs to carry hot pots from the kiln or from the reduction bucket. The reduction bucket must always be outdoors. RAKU gas kilns are usually outdoors but even if you are using an electric kiln you still have to take the pieces outdoors to reduce them. Do not be concerned about the piece cooling in the process, because it will still be hot enough no matter how far you have to carry it outdoors.

RAKU can be safe and exciting when the right precautions are taken. RAKU is not for children. This technique is for adults or college students only.

RAKU CLAYS:
AMACO 27M (45029P) and 77M (45143N) clays are exceptionally good for RAKU. They contain medium size grog. They are excellent for throwing, hand building, and slab rolling. They are open and take the shock from sudden temperature change very well. You can assure minimum amounts of defects, which is usually the case when making RAKU.

Raku glazes are available in liquid form in pint jars.

All colors in the Raku series are LEAD FREE.
CL glazes restricted from use K-6 (ASTM D-4236/LHAMA)

Above: Raku vase by George Debikey, Indianapolis, IN.


Cone 05.These glazes will produce a very dramatic effect when reduced after the RAKU firing. Remember that these glazes need to be fired to their recommmended temperature of Cone 05 (1911°F, 1044°C). Once they reach temperature, turn off the kiln; let it cool to about 1700°F, 944°C before you pull the pieces out of the kiln with the tongs. You must protect yourself from the heat when you open the kiln at that high of a temperature. Therefore, wear heat and fireproof protective clothing, use high temperature gloves, and an appropriate respirator to protect from smoke. If you are using an electric kiln, never pull material out of the kiln unless the kiln is turned off.

RAKU is a very unpredictable medium and is affected by many variables. The effects achieved with these or any other RAKU glazes may not always be the same. Even after you have done RAKU for a long time you will see that it is almost impossible to have complete control over the result or a consistent glaze effect even if you are using the glaze from the same jar. However this is a spontaneous technique and all the varied effects are usually acceptable. Tong marks and other marks from reduction material is considered a characteristic of RAKU, not a defect.

Warning: Firing RAKU is an action filled procedure. Two or more persons are needed to unload and reduce the Raku piece. Whether you are firing in a gas or electric kiln you are being exposed to heat, fire, and smoke. You must be aware of this environment at all times, be prepared for it and act accordingly. You must wear heat and fire protective clothing, fire proof gloves and a mask appropriate for smoke. A NIOSH approved mask like 3M's 3600 or a comparable quality mask is recommended. Make sure you cannot smell any smoke when you have the mask on.

Never open an electric kiln when the switches are in the on position. All switches must be off before you load or unload the kiln. Always use tongs to carry hot pots from the kiln or from the reduction bucket. The reduction bucket must always be outdoors. RAKU gas kilns are usually outdoors but even if you are using an electric kiln you still have to take the pieces outdoors to reduce them. Do not be concerned about the piece cooling in the process, because it will still be hot enough no matter how far you have to carry it outdoors.

RAKU can be safe and exciting when the right precautions are taken. RAKU is not for children. This technique is for adults or college students only.

RAKU CLAYS:
AMACO 27M (45029P) and 77M (45143N) clays are exceptionally good for RAKU. They contain medium size grog. They are excellent for throwing, hand building, and slab rolling. They are open and take the shock from sudden temperature change very well. You can assure minimum amounts of defects, which is usually the case when making RAKU.

Raku glazes are available in liquid form in pint jars.