Cone 6 Glazes

One of our most popular glazes from our Satin Earth Tones Line. This glazes has visual texture and a satin matte finish. Not recommended for food surfaces as it is not a glossy glaze. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

An awesome Cone 6 red glaze! Be sure the glaze reaches a full Cone 6 or it will be slightly satin instead of glossy and brownish red instead of orange red. It refires very well. If it is fired to a hot Cone 6 it develops small orange and purple veins running through its red background. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

This glaze is our top seller! It is the most delicious creamy brown color. Its character is enhanced  on different clay bodies as shown in the sample tiles below. This glaze is stable and layers well with others. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

If you're looking for something funky to spice up your glaze selection try our lichen glazes! This art glaze adds a really fun element to any pottery or sculpture. Not intended for surfaces in direct contact with food (can be used on the exterior of functional pottery). Do not add too much water or glaze will not perform properly. Once applied thickly enough, it will crackle on bisque, do not touch--fire as is and it will work wonderfully.

Mix our lichen glazes at a 1:1.5 ratio with water by weight. Designed for dipping. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

A heathered glaze with hints of purple and gray on white clays, and blues and purples on red clays. A stable reliable glaze with interesting visual play. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

A warm buttery brown from our Satin Earth Tones line of glazes. It has wonderful light creamy veins running throughout. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

One of our most popular glazes in our Satin Earth Tone selection. A nice delicate mauve blush colored glaze with variegations. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

This shiny black glaze is incredibly versatile. It is a great liner glaze that doesn't craze when fired properly on a matured Cone 6 clay body. It layers beautifully with all our other glazes as well. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

A beautiful, subtle straw colored glaze with variegation. Really beautiful on red clay! Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Our Super Clear glaze is reliable and never cloudy! An excellent liner glaze. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Nothing but the 70s here. One of our favorite glazes. Great flecking on red and brown clays. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Fool's Gold is a wonderful metallic glaze. When applies regular to thin it fires a smooth satiny pewter color. When it is applied more thickly, it fires from a pewter-gold to a beautiful even satin gold finish. If you apply it too thickly or under fire it, it will be gold, but wrinkly, so be mindful. THIS GLAZE IS NOT FOR FOOD SURFACES. HOWEVER, IT MAY BE USED ON THE OUTSIDE OF FUNCTIONAL WARE. THIS GLAZE IS LEAD-FREE!

Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Waxy Blue is an amazing glaze. It is a silky smooth satin matte by itself that breaks green on edges or where thin. When overlapped with several of our other glazes some of the most exciting blues can be achieved. Try it with the Shiny Black, Jade Moss, Lucky Purple, Stardust, and Fool's Gold in particular. You'll be surprised at how dynamic the results will be. If using Waxy Blue overlapped with another glaze, you may need to thin it a little or just dip it for a shorter amount of time to avoid overglazing and running on the outside of a pot.

Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

If you're looking for something funky to spice up your glaze selection try our lichen glazes! This art glaze adds a really fun element to any pottery or sculpture. Not intended for surfaces in direct contact with food (can be used on the exterior of functional pottery). Do not add too much water or glaze will not perform properly. Once applied thickly enough, it will crackle on bisque, do not touch--fire as is and it will work wonderfully.

Mix our lichen glazes at a 1:1.5 ratio with water by weight. Designed for dipping. All our glazes are batch tested and sold in dry form. White tile is Standard 213, red tile is Highwater Clay's Earthen Red both fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

One of our new SPRING inspired glazes! Sweet Pea is a beautiful, translucent light green glaze that is very glossy. BEST when used on light, white, or buff clays. Color may be lost on darker bodies. Good from cones 4-7, but, best gloss is achieved at a cone 6.
Mix at a one to one ratio with water (i.e. 2 cups water to 1 lb of dry glaze). Sieve twice thru an 80 mesh sieve, and you're ready to glaze. May be dipped, poured, or brushed. Thin with water if spraying. YOU MUST EXPERIMENT with thickness when brushing as it is not the preferred method of application.
All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

A dark, deep royal blue, semi-translucent cone 6 glaze.  This glaze pulls beautifully into cracks and  indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

A translucent light blue cone 6 glaze.  This glaze pulls beautifully into cracks and indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

A light pale, minty green, translucent cone 6 glaze. This glaze pulls beautifully into cracks and indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Blue Spruce is a glossy, deep deep teal glaze.  Though semi-opague, this glaze breaks beautifully on indentations and highlights any raised marks made to the surface of the clay. Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Daffodil is a pastel yellow, translucent cone 6 glaze.  This glaze pulls beautifully into cracks and  indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Snapdragon is a light pink, translucent cone 6 glaze.  This glaze pulls beautifully into cracks and  indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Fox Glove is a light purple, translucent Cone 6 glaze.  This glaze pulls beautifully into cracks and  indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

Tobacco Stick is a dark, deep brown, semi-opague cone 6 glaze.  This glaze pulls beautifully into cracks and  indents, perfect for accenting any form of mark making.  Mix our glazes at a 1:1 ratio with water by weight. Designed for dipping, pouring, or spraying. If spraying, thin glaze as needed. All our glazes are batch tested and sold in dry form. White tile is Standard 213 fired to Orton Guide Cone 6 in a digital electric kiln. We recommend fast glaze firing to Cone 5 with a 12F offset and a 2 to 5 minute hold. If using a kiln sitter, use small orton Cone 6 cones. We do not use Barium, Lead, or Cadmium in the production of any of our glazes. Always, always, always test new glazes in your studio before putting them into large scale production!

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